The actress who was forced to apply make-up on her face instead of studying

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Ganesanandan Tiwari
There have been many actresses within the movie business who had to come to the world of performing beneath compulsion. Meena Kumari, Madhubala, Nargis have been such actresses, who stood up in entrance of the archlights with face make-up to shield the household from financial woes. He raised the household from the financial disaster and introduced status within the society. One such actress was Nanda. Nanda was from the movie household. Four days after India’s independence, on August 19, 1947, his actor, producer, director father Master Vinayak handed away.

Nanda wished to research. In 1947, his father was making a Marathi movie Mandir. The movie had the position of a boy whom he wished Nanda to do. But Nanda was not eager about performing. She wished to research. When the daddy insisted, Nanda complained to the mom crying, mom Sushila stated that this might be your first and final movie. No performing after this. Nanda performed the position of a boy in it.

After the daddy’s demise, it was revealed that he had taken a mortgage to make the movie. So the household had to repay him. Bungalows, autos have been all offered. The household hit the street. Mother Sushila, with seven youngsters, went to her sister in Tardeo space of ​​Mumbai, the place they discovered a spot to keep. The scenario created after this forced Nanda to apply make-up on her face instead of studying. Nanda’s dream of studying and shifting was misplaced someplace. When ‘Mandir’ was launched in 1948, Nanda began working in Marathi movies. Master Vinayak’s brother V Shantaram made him a heroine within the movie ‘Storm and Diya’ (1956). Then Mili AVM’s ‘Chhoti Sister’ (1957) hit a track like ‘Bhaiya Mere Rakhi Ke Bandhan Nibhana …’.

This was a novel occasion within the historical past of Hindi cinema. Usually, there are numerous tales of hero-heroines writing letters with blood. But seeing ‘youthful sister’, Nanda got here from everywhere in the nation. Nanda used to return these autographs with her autograph. Even right now, this track performs quite a bit on Rakshabandhan. Nanda’s ‘Bhabhi’ was a success and her track ‘Chali Chali Re Patang Meri Chali Re…’ grew to become very fashionable. Nanda was then imprisoned within the roles of sister and sister-in-law. Being not bold, Nanda confessed to be the heroine of newcomers like Dharmendra, Rajesh Khanna, Manoj Kumar, Shashi Kapoor, Jagdeep. She signed eight movies with Shashi Kapoor. Of these, Jab Jab Phool Khile grew to become an excellent hit. The track was sung by the singers within the trains ‘Pardesi na na ankhian…’. This track continues to be heard in trains. On the one hand, Nanda did melodious movies, on the opposite hand hit movies like ‘Kaan’ and ‘Ittefaq’. But Nanda didn’t really feel within the movie world. After the ‘Mazdoor’ of 1993, he disassociated himself from the world of movies and later lived a life of ascetics.

Nanda (8 January 1939 – 25 March 2014)

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